Sound in A Clockwork Orange Essay Example | Topics and Well Written Essays - 2000 words

Sound in A Clockwork Orange - Essay representativeThis method leave behind illustrate how Kubricks use of wholesome builds upon itself in a cumulative manner.The beginning thought of A Clockwork Orange starts with a move through blank screens painted with the primary colours (red and blue) with the sound of a synthesizer playing Bach. This initial juxtaposition between the most modern of instruments and Baroque medical specialty effectively alienates the audience by presenting two things that they are familiar with together. The two jar with integrity other and yet, as the first shot focuses in close-up on Alexs face, they seem paradoxically suited for one another. The medicament reflects the violent smirk that is on Alexs face as he stares straight at the camera, and thus the audience, as his opening voice-over is perceive. There are thus two elements to the sound at this point the synthesized Bach medicinal drug and Alexs introduction to his world. The language that Alex uses includes words that do not ordinarily exist in English, but which will be effectively translated by the audience because of their context.Thus Alex states that he and his droogs are making up our razoodocks what to do that night. Droog obviously means friend and razoodock is probably mind. The juxtaposition is increased by the concomitant that they are drinking milk in a decidedly odd milk-bar that sells some rather suspicious-sounding milk. The shot draws natural covering from a close-up to a medium shot to a long shot of the whole bar, with the nude womanish mannequins that act as chairs. The film that started with music has now introduced the audience to a strange, surreal, threatening world and it was the first blast of synthesized Bach that led the audience to the door.In the next scene a close-up of a run holding a whisky bottle with another empty bottle besides it is essentially serenaded by a drunken voice singing an old Irish song. It is as if the bottle were singi ng, but as the shot steadily draws out the drunk is revealed. Alex and his droogs come into the scene as shadows and it is there footsteps that are heard, nonchalant and yet ominous, just as Alex starts to tell the audience how he could not stand drunks and drunken singing. The utter sound of the singing and the footsteps make once again for a surreal world, one that reflects the stark firing that makes their shadows enormously long. Echoing, rather distorted voices continue on the soundtrack as Alex and the old man argue with one another and then the Droogs start to beat him up. Here Kubrick introduces the idea that hysteria can be seen and heard as a dance. Thus the rhymic beating of the various weapons against the mans body sound like perverted melodious instruments to which their howls of joy at indulging in violence are an accompaniment. Just before the jump blow to the theatre scene the waltz music that accompanies this is introduced. This time it is a girls screams that acts in unison with the music violence and beautiful melodies again juxtaposed. It takes a full ten seconds for Kubrick to actually reveal in a ocular manner what is happening in the scene essentially this is secondary to the two sounds put against one another. The fact that the attempted rape of the girl is shot in a distancing long-shot adds to the importance of the sound. The sound